This is because the train whistle’s sound waves are compressed when the train is approaching our listening position and ‘stretched out’ when it’s departing our position. That leads me to the individual elements of the presentation, starting with the treble. On the back, we are going to have our rear port. It’s interesting, but at this frequency the midrange driver has well and truly taken over delivering the sound, as you can see from the green trace. Generally, I would recommend not using the plugs unless you find the bass a bit ‘boomy’ and ‘one-note’ in which case I’d recommend blocking the ports completely… not just using a ‘half bung’. More importantly, it would be difficult to see that the inner dome had been damaged by a customer in the first place. The Evoke 10 has a very natural tone, especially for the price. The Evoke series took trickle-down tech from their higher-end lines and packaged it into something a little bit more affordable. There are richness and balance there. These are drivers that they’ve been manufacturing for a long time. They are 85-90% of the Contour series and less than half the price. Sign up below to get the latest from What Hi-Fi?, plus exclusive special offers, direct to your inbox! Speaking of off-axis performance is very good. That will be great news for many of you because most of you stream music nowadays, and streaming could use a little bit of smoothness. So 35Hz to 22kHz ±3dB it is. I had many of their products in the past, and I’ve heard many of their higher-end models. A lot of small speakers have this dip in the upper mid-range. What you get out of the Evoke 10 is that classic Dynaudio sound, except now there’s richness within the character. They’ve been steadily improving that design through the years. If you need to place these speakers against a wall boundary, but you still value a quick and articulate base, all you have to do is take the supplied plug, put it in the port, and there you go. I’ll discuss how you’d use these bungs later in this review. But still, they’re going to be for somebody who wants a balanced, right tone, something that’s expressive yet easy to listen to. Although all the models in the new Evoke range use the same tweeter, the Evoke 50 is the only model in the range that has a dedicated midrange driver. You can walk around a room. When you first unpack the Dynaudio Evoke 50 speakers, on the front of each cabinet you’ll find a bright yellow plastic puck right where the tweeter should be, attached via three tiny neodymium magnets. Here’s the bottom line, Dynaudio has always had one significant strength, and that is their versatility. The Dynaudio Evoke series features five hi-fi speakers with Danish timeless housing design that treasures the high-quality features and technology referenced from their top range models. Customer ratings and reviews. The Evoke 30 is one of Dynaudio's most popular speakers because it offers very high performance with a good amount of bass dynamics, but in a much smaller than average and very attractive form factor. But back to that bass, it was so powerful that I half-checked the cabinets to see if they were rocking back and forth as a result of the driver excursion, but no… the cabinets were rock solid back and forth with no movement at all—no doubt thanks to those outrigger feet, which are far more effective at delivering front/back stability than they are delivering side/side stability. For mild bass reduction, fit only the outer foam ring by sliding it in the port tube so that it sits just inside the flared port exit—making sure it retains its shape to minimise airflow turbulence. (Foam surrounds tend to rot, particularly when exposed to ultraviolet light, of which there’s a lot in Australia!) Newport Test Labs measured the sensitivity of the Dynaudio Evoke 50 as being 87dBSPL at one metre, for a 2.83Veq input under its standard test conditions, a result that is in exact agreement with Dynaudio’s own specification. Product literature is easy to locate right beneath the top flaps making it easy to get started. But the thing that I haven’t been a fan of in the past is the somewhat dry sound. When it comes to laying down a horizontal soundstage, it’s okay. I respect Dynaudio. The section of the trace below 900Hz is the averaged result of nine individual frequency sweeps measured at a distance of three metres, with the central grid point of the microphone on-axis with the tweeter, so one measurement is made with the mic aimed directly at the tweeter, another with the mic higher, another with it lower, another with it off to one side, another with it off to the other, and so on, until nine traces have been acquired, after which they’re averaged via post-processing. This review and test originally appeared in Australian Hi-Fi magazine, one of What Hi-Fi?’s sister titles from Down Under. Power output per se is not important—these are efficient loudspeakers, so they’ll make the most of any reasonably-powered amplifier—so any solid-state design that’s rated by its manufacturer with an output into a 2Ω load will be fine… or equally any non-SET valve amp with a 2Ω tap. Evoke 20 (£1800) is the larger of the two Evoke standmounters. The sonorities Hardy creates with his 1793 Guadagnini are ear-opening: the warmth of the instrument is exceptional, yet never so warm that you can’t hear the perfection of his vibrato. You will receive a verification email shortly. You can see that without the bung, peak output is a bit above 40Hz, itself just a bit above the bass drivers’ minima at 38Hz. And let’s imagine that that driver is producing a deep bass note at 20 cycles per second (i.e., 20Hz), so it’s moving back and forth 20 times per second. According to the Alex Newman, one of the acoustic designers responsible for the Evoke series, the second do… It has that very balanced sound of Dynaudio in the past. ‘Doppler distortion?’ some may ask, ‘What’s that?’ And well may you ask! Which is the more desirable outcome will depend not only on your room and where the speakers are positioned in that room, but also on the type of music you most often listen to. These are very well made and nice looking in piano black. As for that midrange, it was, as I have already intimated, absolutely superb: totally clean and clear, and not a hint of the boxiness that can affect two-way and 2.5-way speaker designs. For now, let’s focus on one of their products, which is the Dynaudio Evoke 10.eval(ez_write_tag([[580,400],'hifireport_com-medrectangle-3','ezslot_11',132,'0','0'])); The Evoke 10 represents the entry into their latest lineup, the Evoke series. I like that because it gives the sound some solidarity but doesn’t expect this little speaker to sound way more significant than it is in low-end output. Most importantly is designed to get out of the way of itself, which leads me to its general performance. Unlike many such recordings, not only are the two musicians in perfect musical balance with each other, but the sounds of their two instruments are also perfectly balanced one against the other, something that’s enormously difficult to do with two instruments that produce their sounds so differently as the piano and the violin, due not only to the differences in acoustic size, but in the method of sound creation (i.e., vibration vs. percussion). I would have preferred a wood finish but at 20% off for an open box, I'm not $450 enthusiastic about the wood. Nothing much to report here. Hifireport.com is a participant in the Amazon Services LLC Associates Program, an affiliate advertising program designed to provide a means for sites to earn advertising fees by advertising and linking hifireport.com to Amazon properties.Additionally, hifireport.com participates in various other affiliate programs, and we sometimes get a commission for purchases made through our links in this website. When you listen to these speakers, you’ll notice that number one, they don’t project in a forward way. Find helpful customer reviews and review ratings for Dynaudio Evoke 50 Floorstanding Speaker (Each) (Black Gloss) at Amazon.com. Returning again to that tweeter, and it encroaching on the Esotar3’s territory, I’ve always found Phil Smith’s posthorn solo in Bernstein’s take on Mahler’s Third, with the New York Philharmonic (DG 427 328-2), a very good test of a tweeter, and listening to it via the Dynaudio Evoke 50s I heard all of the brightness, cleanliness and punch-through that I expect to hear, and all against an atmosphere so orchestral you could cut it with a knife. If the speakers have been set up correctly, nothing will change: the performers will stay exactly in their positions and the soundstage will remain fixed in place, unaltered in width, height or depth (and you’ll hear plenty of each). Given that the higher of the two crossover frequencies is at 3.5kHz, I expect that the 3–6kHz lift is the result of some summing of the midrange and tweeter outputs, and as such might not be as apparent when listening slightly off-axis. Impedance vs. frequency is shown across three graphs, rather than just the usual single graph, due to the number of permutations permitted by the provision of, effectively, three completely different cabinet alignments, each one of which will affect the impedance (as you can see). That larger chamber, in conjunction with the new pressure conduit, reduces the back-pressure on the rear of the tweeter diaphragm, effectively enabling enhanced frequency extension. Its powerful 7" mid/bass driver ensures it can flex its muscles when there’s heavy lifting to be done, while its 1.1" soft-dome tweeter takes care of the fine detail. Testseek.co.uk have collected 11 expert reviews of the Dynaudio Evoke 20 bookshelf speaker and the average rating is 98%. BA1 1UA. So I would say that you’ll be good to go at your height or slightly lower in the sweet spot. The ‘Hexis’ geometry Dynaudio developed specially for its Esotar3 tweeter—as used on the company’s Confidence range—is now fitted to the latest Dynaudio Evoke 50. Their treble, I would say, is inherently smooth sounding. Sensitivity: 88 dB. Emotionally, their stuff usually leaves me a little bit dry, partially because I feel like the sound has always had this dry characteristic. Overall this is a well-rounded speaker who handles a wide variety of music just fine. Nobody has posted a review yet in this language Rate it # 16 other products in the same category: Quick view Harbeth Monitor 40.2 Loudspeakers. Let’s talk about mid-range. aptX HD Bluetooth: What is it? The graph shows the high-frequency response with the speaker grille off (black trace) and on (red trace). If you listen to loud volumes, they’re probably not going to be the best choice for you. There are going to be other options out there. Whereas the Esotar3 tweeter is made from neodymium alloy—Nd2Fe14B—the Evoke 50 tweeter’s magnet is made from a less-powerful magnetic material made using strontium carbonate ferrite which Dynaudio calls ‘Cerotar.’. Newport Test Labs measured the Dynaudio Evoke 50 loudspeakers using its standard test procedures. Plug them in, turn them up, and then get a friend round. That said, the response is not super-flat within these dB limits, with definite lifts to above the ‘reference’ SPL (85dB) at around 1kHz (only minor) and around 3–6kHz (also minor).

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