Active 2-way studio near-field monitor 7" Woofers, 1" Tweeter, Amplifier: Class-D 500 watt woofer and 150 watt tweeter, Frequency range: 44 Hz to 21 kHz ± 3 dB, 38 Hz to 24 kHz ± 6 dB, Max. Make no mistake, though: under the hood is a sophisticated system that makes light work of challenging studio environments. The result? Since every application is unique and monitors need to be placed in a variety of environments – either on their sides, vertically or sometimes even inverted with the woofer above the tweeter – we’ve designed Core 7 with indentations on all four sides. It’s a sizable speaker too, although whereas the 59s were too big for my reasonably-sized room, the 7s definitely suit it more. We’ve taken our proprietary MSP (Magnesium Silicate Polymer) cone material along with aluminium voice coils, glass-fibre formers and advanced magnet designs to produce drivers capable of the kind of accuracy and honesty you’d never thought possible. Nothing more, nothing less and you know the truth when you hear it. The imaging is spot-on, there’s a super wide sweet spot, and they’re really consistent off-axis. This no-compromise two-way design features two class-D amplifiers (one 500W amp for the mid/woofer and a 150W unit for the tweeter), plus the best of modern DSP technology and a flat bass response down … There’s also the small matter of the huge size. Algemeen. Starting out with the well-produced tracks and it’s immediately apparent how important those settings are around the back. Once optimised, Core 7 processes all analogue signals at a 192kHz sampling rate and 64-bit resolution in the DSP (from the 24-bit analogue-to-digital converter) for the greatest degree of mathematical precision. Positioning is critical when installing a monitor system. Again, it’s not something we recommend, although I love blasting one of my own mixes out at big levels on occasion, and these are capable of those neighbour-relationship destroying levels. It’s the most wonderful time of the year for your plug-in folder. Create surreal keys and bass with Cherry Audio’s Surrealistic MG-1 Plus. The active Dynaudio AIR series was famous for its advanced digital signal processing. On the other hand, if you put the monitors into a purpose-built wall, setting the Position 1 filter to ‘Soffit’ will compensate for the increased bass response. It’s the most compact model in our range of high-end professional reference monitor systems. That makes it possible to use Core monitors in multiple studios and have them all sound and perform at the same high level – giving you everything you need to hear, everywhere you use them. Here we decide who came out on top... A vocal recording is rarely perfect on the first take. Of je nu een trio of orkest opneemt, commentaar of soundtrack van een videogame mixt, of een meeslepend audioproject (zoals een Dolby ATMOS-mix) beheert, je moet het zeker weten laat uw monitoren alles weergeven wat u moet horen, fouten en al Make sure to check out the reviews but first of all press the red button below to see if it fits your music taste. The results, Dynaudio say, allow these new Core models to outperform the equivalent next-higher models in the old Air series. There’s a bit of competition around this price point but, rest assured, you can’t get this level of sound quality at the moment without leaping into that price territory. ● Crossover frequency: 2300Hz And you know the truth when you hear it. Under the hood: how to set up Core 7 for your studio. Given Dynaudio’s solid history for longevity, and the Core 7’s power handling, I would say these will last ages in any nearfield application. There’s also a low-frequency 80Hz Linkwitz-Riley cutoff that can be engaged if you’re using Core 7 with a subwoofer to extend the low frequency response. ● Amplifiers: Pascal Class-D delivering 150W for the tweeter, 500W for the woofer Our acoustic engineers continued this forward-thinking approach by taking the past 18 years' worth of DSP innovation and applying it in a simple, easy to use system with the Core … I’d say they are good for larger compact set-ups and medium-sized studios. With the release of its 360 Reality Audio Creative Suite and two compatible speakers, it seems Sony’s pushing for advanced audio consumption. Everyone has their favourite, but this DAW certainly has served us best in 2020. Jaw-dropping imaging and transient detail, and effortless high-frequency response. I detected extra bass, for example, compared to my 3-way reference monitors, but this is quickly rectified by setting the Sound Balance to its Neutral setting. As with the 59s in the last issue, the Core 7s offer both this accuracy plus an enormous flexibility in where they are placed and how you use them. De Core 7 van Dynaudio is een high-end twee-weg actieve monitor met digitale ingangen in AES3 formaat (AES/EBU), die gebruikt kan worden met 24 bit en 192 kHz.Elke driver heeft zijn eigen speciale Pascal Class-D versterker - 500W voor de 7" woofer en 150W voor de 1" tweeter - terwijl een ingebouwde DSP-processor verschillende functies biedt voor positionering, geluidsbalans en basuitbreiding. Boundary effects created by placing a monitor close to walls or a ceiling can be compensated for by adjusting the Position 2 filter between ‘Wall’ or ‘Corner’. The active Dynaudio AIR series was famous for its advanced digital signal processing. Under the hood: how to set up Core 7 for your studio The active Dynaudio AIR series was famous for its advanced digital signal processing. Is it as good as its much larger and more expensive sibling? De stap naar een professionele studiomonitor als de Dynaudio Core 7 betaalt zich vanzelf terug. (Reducing the Bass Extension setting is too dramatic as it turns out.). Dynaudio Core 7 actieve studiomonitor Artikelnr: 9000-0049-4796 Garantietermijn: Op dit product krijg je 3 jaar garantie. Active 2-way studio near-field monitor 7" Woofers, 1" Tweeter, Amplifier: Class-D 500 watt woofer and 150 watt tweeter, Frequency range: 44 Hz to 21 kHz ± 3 dB, 38 Hz to 24 kHz ± 6 dB, Max. The tweeter appears to be the same, though, using the same Hexis system – a separate membrane behind the main tweeter to cut down airflow and reduce resonances – and is designed to help deliver what Dynaudio claim is “jaw-dropping imaging and transient detail, and effortless high-frequency response”. When using the AES digital inputs, you must determine which channel (left or right) of the AES stream is used for that monitor. That goes for multi-channel set-ups, too: we also have custom K&M brackets to mount Core 7 in orientations suitable for surround sound, immersive audio (such as Dolby ATMOS) and other custom configurations. Our acoustic engineers continued this forward-thinking approach by taking the past 18 years’ worth of DSP innovation and applying it in a simple, easy to use system with the Core series. Core 7’s DSP operates at the incoming sample rate and either locks to the digital audio clock or word clock to maintain the most accurate signal possible. Trust is critical in this business. We explore how legendary artists incorporated strings into their work, and show you how similar results can be achieved with Orchestral Tools' LA Sessions. Would you pay the price for its grandeur? The Core 7’s feel great to listen to and mix on. We’ve made sure Core 7’s cabinet is as stiff and inert as we could make it – hence the 32mm thick baffle, which contributes to its excellent linearity across the spectrum. The LYD 8s are excellent for medium rooms, and currently weigh in at around a third of the price. Dynaudio Core 7 Studio Reference Monitor - Hoor alleen de waarheid. In ‘Bright’, the tilt is reversed (+1.5dB at 20kHz and -1.5dB at 20Hz). Adjusting these will obviously depend a lot on your room, surroundings and speaker position, and it’s key to experiment, as I did with mixes I know well. This console has processed the sounds of Eric Clapton, Van Morrison and The Wolf of Wall Street. So if you aren’t getting that detail or if your mixes are playing with too much flab or high end on your test systems, then you do need to upgrade your monitors, and these are a fine option. Cut out the tedious process of loading the same plug-ins and effects to every project. ● Dimensions (WxDxH mm): 220 x 370 x 390 These filters help compensate for the reflections created by the boundary walls, especially in the lower frequencies. Core reproduces what was recorded. If you have a medium-sized studio, it could be the monitor you are looking for. But this one, in particular, made our jaw drop this year. Each driver unit is handmade at our factory in Denmark. Users can also alter the overall presentation. So the new Core 7 — which is a similar size and spec to the discontinued Air6 — is said to exceed the performance of the Air 12. I have a standard set of well-known, very well-produced tracks that I use for listening tests, some heavier tracks from the likes of Leftfield, plus some of my own compositions that I like to think I know intimately – mistakes and all. Dynaudio presents Active Nearfield Monitors Core 7.If you are on the lookout for studio monitors or studio and recording equipment in general, then this may be a fitting choice. The company even claims you can use them with the bass driver on top of the tweeter, or outside of it, which goes against some conventional thinking. Dynaudio’s State-of-the-art Compact Studio Monitor. Under the hood: how to set up Core 7 for your studio. MSP provides the best combination of lightness, stiffness and damping – making it capable of producing deep, accurate bass while also delivering natural midrange detail, all in one driver for the best imaging and point-source delivery. This will help compensate for the first reflection created by the mixing surface. ● Weight (kg): 14.7. Dynaudio Core 7. Dynaudio Core 7 actieve studiomonitor Artikelnr: 9000-0049-4796 Garantietermijn: Op dit product krijg je 3 jaar garantie. This time around, then, we’re looking at the smaller and cheaper option in the Core range. The noise-floor and signal resolution of any monitoring system is critical to its performance. For example, if you place the monitors on the meter bridge of a large-format mixing console, set them to ‘Desk’. Der Dynaudio Core 7 gibt genau das wieder, was aufgenommen wurde. Fret not! This kind of proximity can lead to reflections, especially in the bass frequencies, so you simply select Wall if you place the 7s closer than 50cm to the wall, or Free otherwise. Whether you’re recording a power-trio or an orchestra, mixing a solo voiceover or video-game soundtrack, or mastering a full immersive audio project (such as a Dolby ATMOS mix), you need to know that your monitors reproduce everything you need to hear – warts and all. I spent years mixing on the old passive BM5’s, something I remember with affection and its good to see the physical resemblance remains. ● Frequency response: 38Hz – 31kHz Other than that, the 7s do share some of the 59’s other attributes, including the amps, s… Perhaps not, though, bedroom studios. 220 x 370 x 390 mm (8 11/16 x 14 5/8 x 15 3/8in). We asked you to vote in 13 categories, and our experts have since deliberated on the results. In the ‘Dark’ setting, the entire frequency response is tilted so that 20kHz is down -1.5dB, while 20Hz is up +1.5dB. For everyone else, however, once tailored to your room, these 7s truly are magnificent monitors. It still weighs in at close to 15kg, although that is a good 10kg less than the 59. This website uses cookies to ensure you get the best experience. Dynaudio’s excellent manual also helps make the right selections here much easier. Our acoustic engineers continued this forward-thinking approach by taking the past 18 years’ worth of DSP innovation and applying it in a simple, easy to use system with the Core … And because its size doesn’t diminish its performance either in frequency response or output SPL, it plays seamlessly with Core 59 monitors in calibrated multi-channel monitoring systems. While the price of the Core range would suggest the former, more automated option, it’s actually the latter that you get with the 7s. These are the hallmarks of a Dynaudio professional monitor, and the Core series takes them to a new level. Active 2-way studio near-field monitor 7" Woofers, 1" Tweeter, Amplifier: Class-D 500 watt woofer and 150 watt tweeter, Frequency range: 44 Hz to 21 kHz ± 3 dB, 38 Hz to 24 kHz ± 6 dB, Max. Active 2-way studio near-field monitor 7" Woofers, 1" Tweeter, Amplifier: Class-D 500 watt woofer and 150 watt tweeter, Frequency range: 44 Hz to 21 kHz ± 3 dB, 38 Hz to 24 kHz ± 6 dB, Max. Active 2-way studio near-field monitor 7" Woofers, 1" Tweeter, Amplifier: Class-D 500 watt woofer and 150 watt tweeter, Frequency range: 44 Hz to 21 kHz ± 3 dB, 38 Hz to 24 kHz ± 6 dB, Max. Under the hood: how to set up Core 7 for your studio. I had initially made two assumptions about the 7s compared to the larger 59s, both of which have proved to be incorrect. Other than that, the 7s do share some of the 59’s other attributes, including the amps, so you get a fulsome 500 watts for the woofer and 150 watts for the tweeter, although the bass speaker is seven inches in diameter so two inches smaller than that on the 59. Our experts have since deliberated on the results, Dynaudio say, allow these new Core models to the. – Core 7 has been developed alongside industry professionals with exactly this in mind with... To determine the maximum output SPL with the greatest bit-depth in the Core 59s, ’... 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